If you are stuck with it, be sure to use equalization to breath some much needed life into it.Īs always, questions, comments, recommendations, etc. It needs to be bring a minimum level of fidelity and this headphone does not. How it gets more than 7,000 reviews on Amazon averaging 4.5 stars is beyond me. Please pardon me for being crude but if I had to listen to these headphones without EQ, I would give up on being an audiophile! None of my reference tracks sounded exciting with this headphone and many of these tracks are picked because they tend to sound good on many gear! What business does AKG have to call these "Professional Studio" headphones? What possible asset do they bring to pro world? Technically there is nothing you can hang your hat on here. Spatial qualities were non-existent and didn't develop with EQ but the sound was more open. This gave the headphone much more life with better bass, mid-range and treble response. Looking at other measurements, seems like correlation is high so I went with it.Īs usual we start with our frequency response: After squeezing every bit of adjustment it allowed, I managed to get 90% or better seal. If you think you have an exact idea of a headphone performance, you are likely wrong!įitting these headphones on the fixture was a challenge at first as the headband was simply too large. Ultimately headphone measurements are less exact than speakers mostly in bass and above a few kilohertz so keep that in mind as you read these tests. As you will see, I have confirmed the approximate accuracy of the measurements using Equalization and listening tests. Protocols vary such as headband pressure and averaging (which I don't do). Headphone measurements by definition are approximate and variable so don't be surprised if other measurements even if performed with the same fixtures as mine differ in end results. Note: The measurements you are about to see are made using a standardized Gras 45C. Even after sessions lasting several hours, you will detect only its sound – not its weight.During playback I could feel the entire cup resonating with each note. To achieve this, we have designed the acoustic unit to be more isolated than a monitoring set has ever been. And they provide reliable protection even against very loud ambient noise. Its circumaural, viscoelastic earpads can barely be felt even after several hours. The design of the HD 300 PRO represents a smart combination of wearing comfort and ambient noise attenuation. The HD 300 PRO gives the sound a remarkably natural, three-dimensional quality. Not to mention the recalculated air volumes in front of the ear. Together with highly sensitive transducers, this construction guarantees powerful and distortion-free reproduction even at high sound pressure levels. Secondly, we have reduced distortion, wobbling motions and partial vibrations of the diaphragm to a minimum. Its sound pattern remains delicate and precise in every application – across the entire spectrum. It doesn’t interpret, but rather ensures neutral transparency – the basis for good decisions. To make this possible, we have pushed its acoustic properties to the boundaries of physics and recalculated them. The HD 300 PRO works at the same level of precision that you apply to your production. Irrespective of whether you are editing, playing or composing music, and regardless of whether you’re behind a drum kit, at the mixing desk, in a live setting or in the studio, the HD 300 PRO provides the details that you need for making good decisions. ![]() ![]() Its huge depth of detail passes through even in the loudest of environments. The newly developed HD 300 PRO delivers a neutral, high-resolution working sound.
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